Tuesday, June 29, 2021
Thursday, March 12, 2020
Puzzle of Kyat Cave in Loikaw
Maung Tha (Archaeology)
Mountain ranges linking with Shan plateau among
various hills and mountains which emerged depending on geological conditions of the Earth are
stretching from Kayin, Mon and Kayah states to Taninthayi Region. Natural caves
and tunnels position in some parts of these mountain ranges, including Kyat
Cave in Kayah State located in southern part of Shan plateau.
Stalactites,
natural tracks of water, ancient Buddha images and votive tablets at natural
caves attracted travellers. However, some pieces of wood assumed as damaged
coffins in Kyat Cave caught interest of the travellers, increasing number of
visitors. That was why Kyat Cave became a tourist destination of Myanmar.
Loikaw
According
to the records of the Ministry of Home Affairs, as Loikaw was established by U
Thiri in 1200 Myanmar Era (1838 AD), it was in the past named Thiridaw Village
established near Taungkwe Hill. As such, the village was called Loikhaw in Shan
language. In this regard, Loi means hill and Khaw, separately in Shan language.
Later, Loikhaw changed to Lweikaw and then to Loikaw.
On
20 April 1888, Chieftain of Kandarawady Sao La Wee established his palace in
Loikaw. Kayah region, which was located as Kayinni State before regaining independence
of Myanmar, became Kayah State in 1951.
Existing
Loikaw Township was formed with 19 wards and 123 villages of 12 village-tracts
on 17 March 2016. Loikaw Township on 598.06 square miles of land shares border
with Shadaw Township in the east, Demawhso Township in the west, Bawlakhe
Township in the south and Pekhon and Hsihseng townships of Shan State in the
north.
Loikaw
Township is filled with lesser area of plains but with thick forests and
mountains. Among the hills, Thiri Mingala Hill (Taungkwe), Shwe Hill,
Taungthonlon Hill, Myakalat Hill and Shweletwah Hill are famous in the
township. As Bilu Creek is a main water source in Loikaw Township, Bilu Creek
hydropower plant (Lawpita) supplies electricity to various towns and villages
across Myanmar.
Loikaw
Township at an altitude of 2,950 feet is home to Kayah, Bamar and Shan ethnics
as the majority.
Kyat Cave
Travellers
who arrived in Loikaw focused on visits to Taungkwe Pagoda, Lawpita and
Ngwetaung Dam in the past. Nowadays, travellers pay visits to Kyat Cave in
addition to the aforesaid sites.
Kyat
Cave, being famous among travellers since a few years, is located 10 miles east
of Loikaw. Travellers leading to Kyat Cave must come from Pinlaung to Loikaw.
At the junction to Loikaw, they need to turn the left. They can reach the cave
by driving along the smooth road to the foot of the hill where the cave is
located.
As
the mouth of the cave is 120 feet high from the foot of the hill at an altitude
of 2,990 feet, brick steps were made to the hill with rails. Local people
called the hill, the location of Kyat Cave, as Rasuku in Kayah language.
Currently,
local Buddhist monk U Vayama leads maintenance tasks of the cave. Travellers
are urged to take off foot wares before entering the cave. But, Kyat Cave, being
a limestone structure, is always wet at its earthen floor.
The 2,194
metres long one-closed end cave is gradually narrowing inside. Anyone cannot walk
till the end of the pavement. The 600 metres long inside part of the cave is
facilitated with lighting starting from the mouth. Wooden bridges at some parts
help travellers move conveniently.
We
found woods and pieces of timber logs in shape of coffins around 300 feet area
from the entrance. Among them, some timber logs were carved in shape of coffins
but some were sawn timber. No structure in good conditions was found. Collapsed
wooden posts and bars assumed as stages on which carved timber logs might be
put were found near the walls inside the cave. Some of the stages were 20 feet
high from the cave floor.
Although
local people said there remained human skeletons in the coffins, not only
fossils but remains of humans were found there at present. However, some pieces
of earthen pot were seen near the pieces of wood. That is why it needs to
conduct research on these pieces whether or not related to the customs of
Myanmar in breaking the water pot at a time when corpse was conveyed to the
graveyard.
It
was a strange fact that although the carved wooden pieces found in Kyat Cave
were assumed as coffins, there was no piece of human bones.
A
large number of woods assumed as coffins were found in the interior part of the
cave. One ends of wood were on the interior walls and other ends on the cave
floor in disarray. Drag-holes were seen at some timber logs. It can be assumed
that these logs were tied with ropes to pull them out from the foot of hill to
the cave and to control them inside the cave not to drop into the ravine.
The coffin
shaped logs were carved of teak, most of which were broken and damaged. Each of
them was eight to 15 feet long. The carved parts were about 20 inches to two
feet wide. As the logs were longer than the area where a human body could be
put, anyone did not know when the logs existed and these were in shape of
coffins, Kyat Cave became a puzzle one.
Coffins hanging at rocky hill side
A
cremation custom happened in China from 400 to 2,500 years ago that coffins in
which dead bodies were kept were hung at the rocks for cremation. Similar
hanging coffins were found in Indonesia and the Philippines. Especially, Bao
race residing in southern China practised hanging coffins for cremation of
remains.
We saw
wooden coffins in various sizes and forms of logs put on the edges of rocks and
hung at the rocky walls in the caves.
Hanging
the coffins of dead bodies aimed to protect them danger of wildlife and to
invite gods from the heaven. Due to the belief that gods from the heaven call
the dead, coffins were placed on the high stages to be closer to the gods.
Evidences
were found that similar traditions were practised in some parts of China, the
Philippines and Indonesia. However, anyone could not know the aim of hanging
the coffins but they could generally assume it might be easy access for the
dead to the gods.
Coffins in Kyat Cave
The
evidences on hanging the coffins in which dead bodies were kept were found at
Kyat Cave in Myanmar. However, any fossils, pieces of bones and bodies were not
found around the coffins. That was why some researchers assumed pieces of woods
in Kyat Cave might not be coffins. Post-graduate students of Anthropology
Department of Yangon University reviewed these pieces might be the carved boats
similar to the coffins. These boats might be stored in the cave due to
something reasons. Although each human could not have more than seven feet
high, the coffin-designed logs in the cave were sizes for two persons.
It
was a puzzle for all that the exact fact when the carved logs were sent into
the cave and who sent them could not be discovered, catching attentions of the
travellers.
Although
the custom on cremating the dead bodies in the carved logs into the cave was
not found in Myanmar, teak log coffins were found on roofs of Bo Krai and Ban
Rai caves in Pang Mapha District of Mae Hong Son Province in northern Thailand.
As Pang Mapha District of Thailand is located in the east of Loikaw, close to
same latitude via mountain ranges, if research could discover the relations of
culture between the two areas, the puzzle of Kyat Cave could be solved.
Travellers
to Kyat Cave are allowed to pay visits to the cave from 9 am to 4 pm daily. As
interest of local and international travellers helps develop tourism industry
at Kyat Cave, if firm evidences can be exposed, Kyat Cave will have more
development.
Translated
by Than Tun Aung
Friday, November 1, 2019
Yangon University strives to climb back to world level
Yangon University strives to climb back to world level
By Myint Maung Soe
Once
upon a time Yangon University was one of the most prestigious universities in
Southeast Asia and on of the top universities in Asia attracting students from
across the region. The environment of the university, the organization
structure, teaching and management were top notch and it had produced many a
great people for the country as well as for the world. Political leaders such
as Bogyoke Aung San and U Nu were its alumni. So was U Thant, the third
Secretary-General of the United Nations. Historian Dr Than Tun, historian and
librarian U Thaw Kaung winners of Fukuoka Asian Culture Prizes were also alumnis
of the university.
However
a university that had produced many great persons for the region and the world had
declined gradually to a stage where it became a place that was simply handing
out degrees to graduates.
Attempts
were now made to reverse this trend. Physical infrastructures like buildings
were being renovated while momentum was increased toward improving the teaching
portion. Due to the efforts of all Yangon University’s global ranking climbed
to 7,221 in July 2019 from 13,072 in 2016. It was only a few years ago that
students were getting flocking back to Yangon University that was deserted for
several years. A few years ago a selection of high school students
matriculating with top scores starts to study arts and science subjects in the
university bringing back life to the deserted university.
While
the teaching standards were raised for select top notch students, arrangements
were made to improve the physical infrastructures like building and the surrounding
environments. At such time when efforts were made to regain the world class
status, centenary of the university is also coming. In other word, Yangon
University will soon be a hundred years old university.
Yangon
University is located along the southwestern bank of Inya Lake, the largest
lake in the city. It is on the corner of Pyay Road and University Avenue Road
in Kamayut Township, north of downtown Yangon. Established on 1 December 1920,
Yangon University will be 100 years old by 1 December 2020. Steering Committee
on Holding Centenary of Yangon University chaired by the State Counsellor held
a meeting in Ministry of Education, Nay Pyi Taw on 10 July 2019 to hold a union
level centenary of the university.
Arrangements
were made to conduct a Union level Centenary of Yangon University from 1
December 2019 to December 2020. Prior to holding the centenary, renovation and
new constructions were made in the compound of the university. At the moment,
the Universities Dhamma Hall more commonly known as University Dhammayone was
renovated under the personal management of Deputy Minister for Construction.
Recreation
Centre, Library and Dalbergia Kurzii tree commonly known as Thitpote Tree were
the heart of Yangon University. Arrangements were now being made by Yangon
Heritage Trust to attach a Blue Plaque to the Thitpote Tree recognizing it as a
historical site. A project to attach Blue Plaques to historical sites and
heritage buildings in Yangon was conducted by Yangon Heritage Trust with the
support of Yangon City Development Committee and donations of donors. World
class Student Hub and University Hub will also be constructed around the area
surrounding the Recreation Centre, Library and the Thitpote Tree.
While
all round development of Yangon University was being conducted it is important
for the university to conduct practical research works that’ll benefit the
region and the country. Expansion of practical research works, good teaching
and learning programs, local and international education exchange programs is
much required. Programs that produce qualified educated youths are also a
requirement.
The
coincidence of the centenary and the effort to achieve world status again was a
driving force toward future progress and development. As such during the post
centenary period after 2020, the university will surely take progressive steps
in stages to reach world class recognition that it once had. – translated by
Handytips
Ancient Tha Ye Cave near Kalaw
Ancient Tha Ye Cave near Kalaw
By Thiha Lulin
In my
Kalaw trip, I went to an interesting and secluded limestone cave with an
ancient pagoda. The ancient pagoda and the cave were in a place about 11 miles
away from Kalaw Town. The interest in the place was raised after a group went
there to find a suitable location for a movie scene. There were some posting on
social media sites as an un-maintained pagoda requiring maintenance and
renovation. Hopefully it would be a systematic maintenance and renovation that
retains the ancient works.
Tha Ye Cave
The
name of the cave Tha Ye was written as Tha Ye (ghost) but some pronounced it Ta
Ye. But hearing the name for the first time could make you shiver with fear for
thinking there must be ghosts in the cave.
The
cave was close to a village, Tha Ye Village, and may be that was why it was
called Tha Ye Cave. People who had repaired or maintained the pagoda in the
earlier days had put up a sign with the village name as such and thus the name
remains as it is. The cave was a natural one and except for some Buddha images
and the pagoda near the mouth of it, the inner part of the cave had Speleothems
or cave formations typically seen in limestone caves. Those cave formations
were of much interest for me. The Buddha images were considered to be several
hundred years old. Buddha images renovated and maintained during the period
2005 to 2010 were seen at the ascent to the cave mouth. The cave mouth can be
reached by walking along the narrow pathway winding along the side of the
mountain. There were some Buddha images placed in places where the pathway
widens due to cavities in the mountain side. As the mouth of the natural cave
was hidden by the Buddha images it was thanks to a monk from a monastery along
the way that we were able to find it.
Birds
and probably bats were in the cave so if I went there alone, the place would be
scary and look as though it was haunted. The cave was said to be quite long as
the end couldn’t be reached even after walking in for an hour. Some also say
the cave is the brother cave of to Pindaya Shwe U Min cave with the Pindaya
cave considered as the sister cave. The pagoda festival was held for a day
only.
How to reach it
As
there isn’t much visitor, the way to the place was not well know. Going along
the Aungban-Pindaya Road from Kalaw and passing the big garbage dump in Aungban
will bring you to Hnin Shwe Yi fuel station. There’s a small earth road beside
the fuel station and we drive along it for about 10 minutes checking with every
farmers we found along the way to ensure that we were on the right way. In the
open season, a small and medium-size car can be driven along the earth road.
But during the raining season, the place wouldn’t be accessible by car as the
road would be full of mud bogging down any car trying to go over it.
My trip there
In my
trip there, my curiosity and interest was raised on seeing the two lion statue
at the foot of the mountain where there was an old covered path to the cave. I
was a bit worried that the climb may be tiring but reached the mouth of the
cave after a short climb. There were many Buddha images of various sizes that
were obviously of ancient styles. There were many more after entering a bit
into the cave but deeper inside the cave, it was just a natural limestone cave.
If a
person asked me whether it was worthwhile to visit the place, I would say it’ll
depend on the person who was putting up the question. Some may say “Is this
all?” after seeing the place while some will say it is an invaluable place with
ancient images and a natural cave.
I
only have cautionary word for renovation and maintenance. Opinions and advice
of archaeologist and experts should be obtained so that the original styles and
made of the images were not altered.
May
all visitors to the place have a safe and happy trip to Tha Ye Cave. –
Translated by Handytips
Wooden Ornamental Backdrops of Thrones of Myanmar Artistic Handiwork
Wooden Ornamental Backdrops of Thrones of
Myanmar Artistic Handiwork
Photo: Maung Tha (Archaeology) |
Photo: Maung Tha (Archaeology) |
Photo: Aung Moe Zaw |
Photo: Aung Moe Zaw |
Photo: Aung Moe Zaw |
Photo: Aung Moe Zaw |
By Maung
Thar (Archaeology)
“Dage” defined in Myanmar Dictionary as the backdrop of a
throne is Myanmar traditional artistic handiwork of wood carving and decorative
work of floral arabesque in relief with stucco. In Myanmar architecture,
‘Suu-lit-mun-chun” called finials used to be made of wood, stone, cement, gold,
silver, brass or iron. Myanmar architects usually shape finials in various ways
such as relief, figure or statue in the round, as well as sculpt motifs of
ogre, garuda, kinnara, Indra/Sakka, peacock, elephants and lion in floral
arabesque.
Out of these finials, wooden ornamental backdrops of Myanmar traditional
handiwork can be found mostly in religious edifices such as pagodas, stupas,
temples, monasteries and roofs of terraced streets across the country. “Dage”
is called “Palin Dage” in combination with “Palin” which is defined in Myanmar
Dictionary as the high seat made for noble ideals to sit. Accordingly, “Dage”
is the ornamental backdrop of a throne decorated with floral arabesque.
“Palin Dage” consists of 12 parts, namely, lion, flying elephant, deity revered
by the world, fan made of peacock tail feathers, net-like ornamentation on each
side of Lion throne, Dagar Taing, Indra/Sakka, Kinnara, Virtuous Deva, stylized
figure resembling a lion with flowing mane, Lotus, Floral motif on either side
of the Indra figure on the upper part of the Myanmar throne. Lion is mostly
sculpted on the lower part of the throne.
In addition to wooden ornamental backdrop of a throne, “Mok-kat Dage” /
backdrops attached to the entrance of Ceti and pagoda can be found. မုခ္ “Mok” is descended from Pali မုခ
meant for the entrance. There can be seen cement ornamental backdrops at the
places of arched ones at the upper parts of the entrances. Cement ornamental
backdrops decorated with floral arabesques and lotus flowers are fastened at
the window and doors of the entrance as “Mok-kat Dage”.
“Mok-Dages/ornamental backdrops attached to entrances” of ancient monasteries
were mostly made of wood and in floral arabesques of those backdrops statues of
Indra/Sakka, Deva, Peacock and others were sculpted. The plots of Jakata/
Buddha’s life stories and Niparta/birth stories of Buddha had been described in
floral arabesques in those wooden ornamental backdrops of thrones made of 5
layers of planks of wood. These were delicate Myanmar Traditional Artistic
handiworks. Now that most of the wooden backdrops of thrones made in the Eras
of Bagan, Innwa and Nyaungyan had fallen to decay we can mostly see those of
Konbaung Era’s handiworks presently.
Ornamental
backdrops of thrones in statues in the round and those in relief
In wooden ornamental backdrops of thrones, statues used to be sculpted in the
round, in relief and in arched forms. Statues in the round can be seen from 6
directions—left and right, in front and from backward & upward and
downward. Statues in relief cannot be seen from all 6 directions likewise
statues in the round but they are remarkably prominent as the former ones.
Arched statues are the sculpted ones so that they can be made visible from the
front side only whereas statues in the round have been sculpted so that the
whole can be viewed in detail. Statues in relief and arched ones are usually
sculpted attached to the places they are to be placed.
The ornamental backdrops of thrones with floral arabesques sculpted statues in
the round, in relief and arched statues on wood differ in decoration depending
upon the time and places. Since prior to the Konbaung Era, wooden and
ornamental cement backdrops had been sculpted, those of Konbaung Era’s
handiwork had been full of delicate description, hence becoming the most
artistic handiwork.
Out of the holy ornamental backdrops of the thrones decorated by making in
layers “Shwegu Dagetaw” in Pakkoku is famous and always crowded with those who
come to view. The original holy Dagetaw at “Thihoshin” Pagoda was the one of
extremely artistic handiwork but it was burnt to the ground. Thus, today we can
view its photograph only.
Pakkoku in Magway Region is the second largest town where there are famous
Dages situated. Located on the west bank of the Ayeyawady River, Pakkoku Township
touches the borders of Myaing, Yesagyo, Nyaung U, Hseikphyu and Pauk townships.
75 miles far from south west of Mandalay abounds with religious edifices and
monastic Buddhist literature teaching schools. “Thihoshin alias Payagyi”
“Shwegu Pagoda” and “Shwe Mokehtaw Pagoda” are the famous pagodas in downtown
area of Pakkoku, as is the “Shwe Tant Tit Pagoda” in the township.
Two
holy ornamental backdrops of Thihoshin Pagoda
“Thihoshin Pagoda” in Pakkoku is the Buddha Statue donated by King Alaung Sithu
in AD 1117. King Asoka had the holy wood ‘Dakkhina Tharkhar Maha Bodhi’ which
was presented by King Thiho/ Ceylon/ Sri Lanka sculpted, hence naming after
‘Thihoshin Pagoda’. At the Thihoshin Pagoda there are 3 Buddha images, one
donated by King Alaung Sithu and the other two by the village-head.
Till 1964, Thihoshin Pagoda had holy wooden ornamental backdrops of thrones,
with the eastern one situated at the entrance to the 3 Standing Buddha Statues
and the western one behind the said 3 Statues. In April 1964, the two ‘Dages’
were burnt to the ground, together with ‘Ganda Gudi/ special chamber for the
use of Buddha and roofed passage of ‘Thihoshin Pagoda’. In place of the burnt
‘Dages’ the new one had been built with the present day’s architectural
handiwork, standing as a grandeur.
The original eastern ‘Dage’ sculpted beautifully with finials had been as if
hanging a big festoon to worship the Buddha by beings, deities and Brahma. It
was sculpted on the full moon day of Waso, 1275 ME, by the sculptors named U
Kan Gyi and son U Tay. The donors were U San Hla and wife Daw Kyu of Mezaligon
Village of Pakkoku Township who commissioned U Kan Gyi and U Tay to have
sculpted it, at kyat 1000 charge of service rendered.
It took the two sculptors one year to have sculpted the ‘Dage’ in the form of a
festoon by combing 3 logs of Yamanay wood/Gmelina Arborea, on which plots of
Buddha’s life—from preaching Dhamma Cekka Sutta to the Demise of Buddha were
shaped in nearly 1000 figures in the round, in relief and in arched form of
those including the King, the Queen, deities, Indra and Celestial Beings.
The western ‘Dage’ of the ‘Thihoshin Pagoda’ was donated by Daw Ein Min, Poedan
Street in Pantaw Quarter of Pakkoku, who commissioned U Kan Gyi ad U Tay as
well, at the charges—3000 kyats. It took 3 years to finish sculpting it,
completing on the full moon day of Tabaung, 1271 ME. On 8 floral layers made on
one log of Yamanay wood, out of 25 scenes in total, acts of renunciation of the
world in Buddha’s Life & acts of Vidura Zat Taw the sculptors sculpted, 15
in the left and 10 in the right part. Amaegyioh U Aung Sein, the famous writer
made Shwe Mann U Tin Maung play the act by looking at these sculptures, it was
learnt.
Shweku
Dage
The world-famous backdrop of a throne in which most visitors from home and
abroad are greatly interested, has been restored in the glass box in the
eastern part of the special chamber of Shweku Buddha Statue.
The wooden ornamental backdrop made of Yamanay wood with 5 feet 10 inches
in length, 12 feet 10 inches in height and 8 inches in width is situated behind
the Standing Buddha Statue of 5 feet 2 inches in height. Dagetaw on which 136
sculptures and 18 animal images had been sculpted on 8 tiers has exquisite
handiworks.
The sculptors of the Shweku Dage were U Kan Gyi and his son. In the record,
“Shwe Ku Dagetaw of the wonders of the world” posted nearby, it has been
recorded that the sculptors who had been commissioned to make it accepted 4000
pieces of silver coins on 3rd Waning Day of Tabaung Month, 1269 ME,
taking over 4 years period to make it, by linking with 5 pieces of logs.
Donors of this Dage were U Hinngar & wife Daw Zee Zan, their daughters Mae
Thit & Mae Myit who resided in building no 575 of Kyaungtawyar Street, Old
Market, in Pakokku. On the left floral arabesque of Shweku Dage the names—Sayar
U Kan Gyi, son Maung Tay were written whereas on the right floral arabesque of
the Dage the donors’ names—Ma Zee Zan, Ko Hinngar, Ma Mae Thin were recorded.
U Sheinn, father of U Kan Gyi was a famous sculptor in the reign of King
Mindon. The village, “Thitgyitaw Laytan” in which U Kan Gyi lived is the one
who produced famous sculptors in the consecutive eras. U Kan Gyi and his son U
Tay made over 50 tools for sculpting Shweku Dage, by themselves.
The two sculptors managed to sculpt 12 crucial scenes from the plays such as
‘Deva Rawhana’ ‘Naymi’ ‘Thardina’ & Bhimmi Sara’. On the uppermost tier of
Shweku Dage 21 sculptures had been sculpted, describing the Lord Buddha
preached Abhidhamma’ to Mae Taw Mi god & audience in Tarwateinthar
Celestial Abode, and thence the Buddha descended to Human Abode through the
Gold, Silver & Ruby Stairways.
In carving the images describing that the Buddha descended to the human abode’s
southern gate of Theingathanago City through the Middle Ruby Stairway, there
are 33 sculptures comprising of Martali, Visakyone god, Brahmas, conch shell
blower, parasol holder, fan waver and musical troupe. Being greatly animated,
the Shweku Dagetaw became a world-famous one.
In the right upper side of the Dagetaw the scene of Naymi Zat and in the left
upper side scenes of Thardina can be seen respectively. In carving the images
describing Naymi King & Thardina King had been brought to the Celestial
Abode by 3-horse-drawn-carriage, it looks as if the cart is coming out of the
8-tier-flower. It makes us feel that we are being in the forest to see a mother
bird feeding her young.
Images sculpted in the act of Bimmisara King were extremely exquisite that
Amaegyioh U Aung Sein suggested to Shwe Man U Tin Maung to play as described in
Dagetaw. It was learnt that the latter did in his dramas as suggested by the
former.
Sculptor U Kan Gyi made a replica prior to carving Shweku Dage, showing it to
the Venerable Sayardaws and donors. Devoting himself to carving his work to the
best of his calibers and he had thrown away tools used in carving the Dage into
the Ayeyarwady River after finishing his work, it was learnt.
Shwe
Tant Tit Dagetaw
Shwe Tant Tit pagoda is situated 3 miles far from East of Pakkoku. In the
special chamber of the pagoda, a sacred Buddha Image made of sandalwood had
been placed on the throne shouldered by 14 elephants, being one of similar six
ones. Its Dage is 13 feet 3 inches long and its breadth 10 feet. Its donors
were U Toe, Daw Oh, son U Pe, Daw Bwint, grandson Ko Ngwe Zone and Ma Mya
residing in the village of Shwe Tant Tit.
Sculptors, U Chan Thar of Shwe Tant Tit village & Sayar Aye of Pakkoku
sculpted it from 1895 to 1898, lasting for 3 years 2 months and 10 days. They
got paid silver coins 1500 for the work. It was carved by combining 13
logs—teak and Yamanay wood.
Including Dage in Pakkoku wooden backdrops of thrones of Myanmar Cultural
Heritage were delicately carved. In the gates of Innwa Verkara Monastery and
Pakhangyi Monastery wooden dages were attached at the entrances.
Wooden backdrops were made of wood. For them to last for long, they need to be
placed under roof and shelter. Woods are prone to destruction due to weather,
insects and human-made disaster such as fire. Only if wooden backdrops can be
maintained by protecting them from various kinds of dangers will Myanmar
cultural heritages be able to be relayed to generations to come.
References:
-Myanmar
Encyclopedia
-History
of Shweku Buddha Statue (Ashin Kelarsa)
-Backdrops
of thrones (Hlaing Win Swe)
Translated
by
Khin Maung Oo
To the mouth of Mt. Popa volcano
To the mouth of Mt. Popa volcano
By Maung Tha (Archaeology)
The
view of Mt. Popa on the road to it after driving past Kyaukpadaung Town was a
spectacular sight. The solitary extinct volcano rising up to a height of 4,981
ft. above sea level makes it distinct in the flat plains of central Myanmar. It
is a well known and a major attraction for both locals and foreigners alike.
Mt.
Popa is an extinct volcano in central Myanmar near Bagan and on a clear day, it
can be seen from the bank of Ayeyawady River 37 miles away from it. It is 10
miles northeast of Kyaukpadaung Town in Mandalay Region, 405 miles from Yangon
and 31 miles southeast of Bagan. Experts estimated the last eruption to be
about 250,000 years ago. The mouth at the top of the extinct volcano was about
a miles wide and drops down to a depth of 2,650 ft. The gorge or chasm was
known as Chone Ma Twin gorge.
Attraction for researchers, devotees and visitors
Mt.
Popa is an attraction for students and researchers of geology, history,
zoology, biology, forestry etc. as well as for religious devotees, curious and
casual local and foreign visitors.
Along
the southwest slope of Mt. Popa is a pedestal hill, a sheer-sided volcanic
plug, known locally as Taung Kalat, rises 2,156 above sea level. This was a
place of legends and beliefs where believers, devotees, curious and casual
local and foreign visitors flock to. Myths, legends, facts and fictions of
Myanmar’s first kingdom Bagan was closely associated with Mt. Popa and this
Taung Kalat.
Deforestation
almost completely wipes out vegetation and wild life in the Mt. Popa region but
a successful reforestation campaign started more than half a century ago
restored the vegetation and wild life to such an extent that it now had become
a place for zoology, biology and forestry students, experts and enthusiasts to
visit and study. Popa is home to 10 mammal species including monkey and wild
cats, 100 species of butterflies, 175 species of brides, 360 types of herbs
with medical values, 84 species of orchids, and several bird species including
rare and endangered one.
Hiking to the mouth
Most
visitors came to Taung Kalat while the mountain itself was a place for students
and experts to visit, study and research. However, it’s been some years since
hikes up the mountain was arranged between December 21 and 25. It was not a
very well known activity but it had been growing in popularity among locals as
well as foreign visitors year by year and this was what brought me to the
mountain.
Majority
of the hikers were from nearby townships of Kyaukpadaung, Myingyan and NyaungU.
Christmas was the day when most climbers or hikers hiked up the mountain. They
were ordinary people who came just for fun and were not mountaineers, a native
or inhabitant of a mountainous region or a person who climb mountains for
sports. They came in groups to enjoy the hike in the cool December weather. As
it was a memorable hike for all, more and more were participating in the annual
hike up Mt. Popa. The hikers take the jungle trail on the left side of the road
just before reaching Popa Mountain Resort. Popa Mountain Resort is on the side
of Mt. Popa overlooking Taung Kalat.
My
hike up the mountain was arranged by Journey Plan Travel from Yangon and we
went along with a group organized by Bagan Hotelier and Bagan Tour Guide
groups.
We
left our hotel in Popa Town by car passing through Popa Lwin and Gyaing
villages and arrived at a natural pozzolan factory. Pozzolan is a natural
product rich in silica and aluminous materials and were found volcanic ash.
Contact with water made it harder and harder to it was used in constructing
canals and dams to strengthen the structures said Bagan Hotelier Group Chairman
U Zaw Wate.
After
10 minutes drive from pozzolan factory brought us to Taung Paw Village (south).
There were two Taung Paw Villages, south and north of which Taung Paw Village
(south) was beside the road leading to the mountain top. It had more than 500
households and majority of the villagers were farmers growing banana, peanut,
tomato etc. Even though the village name in English would be mountain top
village (Taung = mountain, Paw = on or top), we were actually at the start of
our hike up the mountain.
The
cars were parked at the exit of the village and our hike up the mountain starts
there and then. On departing the village, we went past farm lands were
individual lands were demarcated by stone hedges. The stone hedges were made
putting big stone at the bottom with smaller one place on top. That was a
strange sight for me. Being a volcanic area, the place had many stones that
were formerly lava spewed out by the volcano. These volcanic stones littered
the area around the volcano to a considerable distant.
After
passing the farm lands, the tract became narrower and our group had to walk in
a single file. The hike up the mountain wasn’t steep but long so many of our
group members stop frequently to rest.
The
mountain path was through thin forest that had become a habitat for monkey,
wild pigs and deer said U Thein Win from Forest Department who was in our
group. We hiked up slow and steadily and reached the mouth of the volcano in
about an hour and half.
On
the plateau near the summit of the mountain was a Forest Department station
where we rest briefly and then continue down the crater of the volcano locally
known as Chone Ma Twin gorge. The descent was a bit steep. Before I was there I
read about the crater being surrounded by three peaks looking up from the
crater but when I was there, I saw four peaks or summits surrounding the crater.
As in the case of many peaks or summits in Myanmar each peak or summit here had
a pagoda on top of it. We briefly look around inside the crater and then return
back to the Forest Department station without climbing further up to the summit
of the mountain.
As we
descended the mountain, we passed by many farm lands. In some farm houses, we
also saw dragon fruits grown on a concrete pillar. As dragon fruit fetches good
price, many household grow it in a small scale.
Kyaukpadaung
Township where Mt. Popa is located was bordered by Meiktila Township and
Mahlaing Township in the east, Nyaung U and Chauk townships in the west,
Natmauk Township in the south and Taungtha Township in the north. It is easily
accessible by good road connections. With its diverse and good eco-system,
pleasant climate all year round and scenic natural view, local and foreign
visitors can visit it all year round. Arranging new activity like our hike up
Mt. Popa was a good way of making this place more attractive. – Translated by
Handytips
Subscribe to:
Posts (Atom)