Nyaungshwe Cultural Museum and Shan Saophas’ costumes
Maung Tha (Archaeology Research)
As
per the saying “Nine Saophas and nine reigns of Shan” the ethnic Shan nationals
in Myanmar established nine Mao Kingdoms. They were Mogaung, Mohnyin,
Thaungthut, Mongmit, Mongnai, Hsenwi, Mongpe, Nyaungshwe and Hsipaw.
According
to “History of the Shan State – From its origins to 1962” by Sai Aung Tun the
years from 1287 to 1531 are recognized as the period of Shan kings in Upper
Myanmar. This period witnessed the successful establishment of the three
historically famous cities of Pinya, Sagaing and Inwa (Ava) by the Shan kings.
As the successive Shan kings ruled in these cities, they let their sons and
brothers rule their regions of origin in Shan as Saophas which was eventually
called Sawbwas in Myanmar language. Shan Saophas uses royal objects like white
umbrellas, headdresses and foot wears used by the Myanmar kings.
Shan
Saophas lived in Haw (palace) and after they faded from history, their Haw and
royal objects remains as cultural heritages. Nyaungshwe museum is one of the
many museums in Shan State that had maintained and displayed these cultural
heritages.
Nyaungshwe and Saopha Haw
Nyaungshwe
in Shan State, Taunggyi District is 602 km. from Yangon and 30 km. from
Taunggyi and was a town visited by visitors who came to Inle Lake. On the east
of the town are Taunggyi and Hsihseng while to the west lies Kalaw and
Pinlaung. It is connected to Pekhon Township to the north and to Taunggyi
Township to the south.
Nyaungshwe
with an area of 561 square miles is at an elevation of 2,950 ft. Nyaungshwe Township
was formed with 8 wards and 35 village tracts with 445 villages. According to
2017 Census the township had a total population of 171,459 of which 69 percent
were Intha while Pa-O made up 13.5 percent.
Nyaungshwe
was established by Saopha Si Sai Pha in 1359. In Shan language it was called
Yawnghwe meaning a plateau between two mountains.
Nyaungshwe
had Phaung Daw Oo Pagoda, Alodawpauk Pagoda and Shwe Intane Pagoda in Inle Lake
and Yadana Mann Aung Pagoda in Nyaungshwe town as well as 1,013 pagodas and
stupas. A cultural museum (Nyaung Shwe Haw) situated in Nandawin is also a
historical building in Nyaungshwe.
The
present Nyaungshwe Haw was built by a Shan Saopha Sir Saw Maung in 1913. The
construction took 10 years and cost some 300,000 Kyats (a couple of billion
Kyats in today’s money). Maukmai Saopha Sao Kham Hlaing drew the design of the
Haw combining the Mandalay Palace design and traditional Haw of Shan Saophas.
The construction was led by carpenter U Ngo @ U Htun Aung and Shan artisans.
After the first Nyaungshwe Haw was
destroyed in Nyaungshwe town fire of 1908 the present Haw was built with 206
pillars. It was a rectangular structure measuring 200 ft. from east to west and
194 ft. from north to south and faces toward the east. The two-story Haw with
seven tier roof contains three main halls. The hall to pay homage to the
Saophas was where the Saophas received his subjects paying homage to him twice
a year and it had a throne. When the Buddha images from Inle Phaung Daw Oo
Pagoda were in town, the images were placed on this throne where the people
came to worship it.
The
outer hall is where the Saopha and his ministers discussed matters relating to
the people. The inner hall is where the Saopha, his family, trusted ministers
and aides discussed family, royal and religious matters. Soaphas of Shan State
conducted preliminary discussion for Panglong Agreement matters on 8 February
1947 in this inner hall.
In
addition to these three halls, Nyaungshwe Haw had a building (South Dawei
Building) on the south for Saopha’s mother and mahadevi (Saopha’s wife), a
building (North Dawei Building) for the Saopha and sons.
There’s
a 10 ft. square rectangular room with iron bars in the middle of the ground
floor of the Haw that was considered as a safe room. It was used as Japanese
military police Kempeitai office room during the Japanese occupation in Second World
War.
National Museum and Saopha costumes
There
were more than 55,000 museums all over the world and National Museums are where
a country’s cultural and historical heritages were displayed. Myanmar had two
national level museums in Yangon and Nay Pyi Taw.
These
national museums occasionally conducted paper reading sessions and special
exhibitions that raise interest as well as drawing visitors. An exhibition at
Yangon National Museum from 9 to 18 June this year of Shan Saophas’ rare
costumes was one such exhibition. 30 out of 138 Shan Saophas’ costumes stored
in Nyaungshwe Cultural Museum were put on display at that exhibition.
Saopha costumes from Nyaungshwe Haw
On
August 2016 Shan State government under the guidance of the Union Minister for Hotels and
Tourism proposed to Ministry of Religious Affairs and Culture to send 138
costumes of Shan Saophas stored in Nyaungshwe Cultural Museum to France for
maintenance and restoration so that it can be displayed properly and for long.
After
inspection by Yangon National Museum a decision was made to conduct the majority
of the maintenance and restoration works in Myanmar.
A
preliminary visit to Nyaungshwe Cultural Museum was conducted in September
2016. On 18 January 2018 Yangon National Museum Director Daw Nang Laung Ngin
and party obtained the guidelines and instructions of the local Sayadaws about
the maintenance and restoration work. Afterwards they also met and explained to
the Haw maintenance group and locals about the maintenance and restoration work
processes. Some costumes were then sent to Yangon National Museum laboratory on
2 March 2018 for maintenance and restoration works.
After
the maintenance and restoration works were completed the costumes were sent
back to Nyaungshwe Cultural Museum. The remaining costumes were then sent to
Yangon National Museum as second batch and maintenance and restoration works
were conducted.
Of
the costumes sent back to Nyaungshwe Cultural Museum, all could not be put on
display due to limitation of display space. Textile Stores were constructed to
systematically store the costumes that were not displayed and arrangements were
made to put the costumes on display alternatively.
After
the second batch of costumes were maintained and restored some were sent back
to Nyaungshwe Cultural Museum. From this second batch, 30 costumes were
exhibited to the public in Yangon National Museum.
Exhibition of rare costumes
The
rare costumes exhibited were not only of the Shan Saophas but also of their
Mahadevis, Crown Prince, chief ministers, mayors, military commanders and
bodyguards. Not only dresses but headdresses, shoes, belts and trousers were
also exhibited.
At the opening ceremony of the exhibition sponsored by
the Department of Archaeology, National Museum and Library (DANML) of the
Ministry of Religious Affairs and Culture, Union Minister for Ethnic Affairs
Nai Thet Lwin said, “Costumes worn by and items used by Shan chieftains of
various regions throughout the past successive periods can be viewed by the public,
especially the youth and middle-aged people at the exhibition.
The civilization of a race can be studied through their costumes, style
of dress, literature and culture. This kind of exhibition will enhance the
spirit of an ethnic race to cherish its culture and traditions. Holding of this
exhibition at a museum, at a place where Shan people are the majority will
attract more tourists.”
Also speaking on the occasion, Chief Minister of
Yangon Region U Phyo Min Thein said, “The exhibition enhances the image of the
Myanmar races.” He suggested the conservation and display of the cultures and traditions
of other ethnic races too. As all the national races are living in amity in the
Union, they all should join hands for its perpetuation, he said, and added that
all the citizens of the country have the duty to preserve and protect the
ethnic cultures and traditions. “At this exhibition, Shan traditions costumes
preserved for over 100 years are put on display, and it is a noble tasks,” he
said.
Deputy Minister for Religious Affairs and Culture U Kyi
Min said, “The attires were sent to France for keeping them under advanced
preservation techniques for today’s people to study them. The Department of Archaeology,
National Museum and Library has been checking and preserving the attires of Shan
chieftains displayed at the Nyaungshwe Culture Museum since Shan State
Government requested help from the Ministry of Religious Affairs and Culture in
2016. So the ministry and the state government allotted the budget for the
work.”
Director-General of DANML U
Kyaw Oo Lwin explained the purpose of the exhibition and Director Daw Nang Laung
Ngin the preservation work.
The exhibition reportedly
drew thousands of visitors both locals and foreigners and was said to be the
best-attended the National Museum has put on.
Maintenance of the costumes
Maintaining
of cultural relics consists of many ways including maintaining it as it was
produced, providing remedial services to restore it and prevention from
damages. Due to the historical, artistic, cultural, social, religious and
personal values the costumes from Nyaungshwe Cultural Museum were being
maintained and preserved. In late 19th century preservation techniques
of clothes develop. Restorers, artefact collectors and dealers started
maintaining and restoring clothes to original splendours. These techniques were
being used to maintain and restore the invaluable costumes from Nyaungshwe
Cultural Museum.
These
costumes are now put on display in Nyaungshwe Cultural Museum. – Translated by
Handytips
Cap-1
Union
Minister Nai Thet Lwin and officials observe the rare attires of Shan
chieftains
at
National Museum in Yangon yesterday.
PHOTO : MNA
Cap;2
Shan Saophas’ rare traditional costumes
displayed at the exhibition.—Photo:Myanmar Digital
News
Cap:3
Shan Saophas’ rare traditional costumes
displayed at the exhibition.—Photo: Myanmar Digital
News
Cap-4
Nyaungshwe cultural museum (Nyaungshwe Haw) in
Nyaungshwe. Myanmar Digital News
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ရှမ်းစော်ဘွားဝတ်စုံများ. Myanmar Digital News